January 2012
59 posts
2 tags
Download the Margin Call score (free & legal) →
This is Nathan Larson’s score for Margin Call. After watching the film I contacted Mr. Larson asking how I could purchase the score and he was kind enough to send me these files. There is no official release planned. Recently he gave me the go-ahead to share this. Check it out if you enjoy the soundtrack work of Cliff Martinez.
Jan 27th
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Jan 26th
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Jan 25th
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Jan 25th
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Jan 25th
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Jan 25th
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Jan 25th
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Jan 25th
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Jan 24th
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Jan 24th
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Jan 24th
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ListenSaint Etienne - Tonight Saint Etienne’s Bob...
Jan 24th
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Jan 23rd
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Jan 21st
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The best worst real band names of SXSW 2012
It’s an annual tradition. Bubble Puppy Chet Faker Dark Dark Dark E.D.Sedgwick Fungi Girls Gay Witch Abortion Hoodie Allen Idle Warship Lana Del Rey Mord Fustang Motopony Not In The Face!! Owen Sleepy Vikings suck piggy Talking To Turtles Trampled by Turtles Uncle Bad Touch
Jan 20th
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Jan 19th
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Jan 19th
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Jan 19th
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Jan 19th
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Jan 18th
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Jan 18th
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WatchWatch
Unrest. Perefect Teeth. 7” box set reissue. You want it.
Jan 18th
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Jan 16th
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Jan 16th
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Jan 16th
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Jan 15th
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Jan 15th
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Jan 14th
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Jan 14th
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Jan 14th
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Jan 13th
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Jan 13th
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My Filter Bubble
Every once in a while someone will ask me, “How did you find that?” and I start trying to explain what you see below. I didn’t assemble this system with any sort of plan. It’s just grown organically over several years of internet use. I don’t worry anymore about “missing out” on something because if it’s going to be of interest to me, it’s...
Jan 13th
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Jan 12th
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Cyberpunk Bowie, New Wave Bowie: A Look at Scary... →
hangingfire: My latest for Tor.com, for their Bowie Week series. Caught in the grip of rising future-shock, a state that William Gibson will later observe is a near-permanent condition of the early twenty-first century, Bowie doesn’t so much sing here as he screams, howls, chants, growls, and croons. 
Jan 11th
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Jan 11th
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Jan 11th
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Jan 10th
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Jan 10th
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Jan 10th
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Jan 10th
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Jan 10th
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Listenfuckyeahbluemonday: Biosphere - “Blue Monday” ...
Jan 10th
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Jan 10th
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Jan 8th
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Jan 7th
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MIKE SNIPER: An Indie Label in 2012. →
mikesniper: I posted a recent Facebook comment regarding our policies with signing artists and found myself getting into a discussion of what the role of an independent label is in 2012, something I’ve oftened been asked about in interviews but have never really been able to elaborate on. Basically, it…
Jan 7th
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“There’s Daft Punk’s insistent pop-dance; the blocky neon blips of electro; the...”
– Why Does America Love Skrillex? — Vulture (via thisistheverge) So Americans can only engage with electronic music when it’s delivered as fast, loud, rock music they can recognize. Why does it seem like electronic music only gets traction in America when it approximates arena rock? (trance,...
Jan 6th
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Jan 6th
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Daphne Carr, Carl Wilson and Ann Powers on... →
towerofsleep: rocketsandrayguns: “…Simon’s excavation of the retro impulse from the 40s onward undercuts his thesis that retromania is a quintessential phenomenon of the present.” I agree Reynolds appears conflicted. But I don’t agree with the above criticism that he undercuts his own argument. I read the book as claiming that, yes, the retro impulse has been present as a mode of music making...
Jan 4th
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